Data Lab

Data Lab

Rushes processing from all camera formats, including Sony, Canon, RED and ARRI, to edit suite media, LTO backup and web dailies. Format and framerate conversions, data conforms, colour science and workflow management.

Offline

Offline

Spacious Avid and Final Cut Pro cutting rooms linked by ISIS shared storage for collaborative editing. 100Mb Fibre client internet access, air-conditioning and client computer. All backed up by fully qualified support technicians.

Online

Online

Fully equipped and ISIS connected Avid Symphony Nitris finishing suites with Sapphire and Boris FX, Photoshop and After Effects. Mastering to HDCAM SR and DPP file for Broadcast.

Grading

Grading

HD, 2K and 4K Nucoda colour grading systems with Dolby picture monitoring and ISIS network connected. Full set of image enhancement tools including noise reduction, sharpening, regrain and upscaling.


Audio

Audio

DigiDesign ProTools HD mixing studios with 24 channel desks for stereo and 5.1, with Dolby encoding option. Voiceover and ADR booths with ISDN and Source-Connect. Large sound effects and production music libraries and foley facilities.

Visual Effects

Visual Effects

2D and 3D visual effects and motion graphics using After Effects, Mocha, Motion and Nuke. VFX pipeline design and management.

Digital Cinema

Digital Cinema

DCP mastering with KDM and DKDM encryption. International versioning services for broadcast, theatrical, Blu-ray and DVD distribution. Including aspect ratio, resolution and framerate conversions, titling, transcription, sound dubbing and editorial.

Restoration

Restoration

Digitisation of film and tape archive. Restoration using Pheonix for dust, flicker, scratch, stabilise, warp, print align, drop-out, line-sync, cross colour and colour correction and enhancement.